People are talking:
Tom Sekowski,
Gaz-Eta:
Hailing from Italy, Kidsok Nuit [or Giuseppe Mileti] takes an active part in researching electronic music from top to bottom. From past projects, it's evident this guy has tried everything - electroacoustic works, a/v installations, digital composition and even DJ sets. Hell, he's not afraid of anything! His highly limited CD-R release [40 copies!] "Lo Spazio delle Fasi" is a mish-mash of genres. There is pure noise. We're also treated to harsh treatments of sounds along with computer-generated blips and bleeps. Each of the six tracks is different in over-all process and results vary. Ambience that is scarred, harsh and oftentimes purely chaotic, Kidsok Nuit has certainly peaked my full attention
Sands Zine:
(auto-translated to english, original article
here (italian))
"In classical science Chaos by definition had no order. Today it is considered a dimension ruled by law can not be defined, the concept of disorder is understood as a complex ... In summary, this work-test (also partially re-testing of Alan Turing: Calculating machines and intelligence) develop in my own way, this process-concept, trying to "follow / not follow this" logical / illogical "and exclusively through chips and modules acoustic / electronic and self-change. "(Joseph Mileto) Joseph Mileto, aka Kidsok Nuit, is one of the new Italian electronic musicians in bazzichi for the longest time, and although we can not define it as the prim'ora its beginning are still in those parts. In this CD he claims to be guided, or rather to follow the theories that underlie the so-called 'science of chaos', according to which microscopic phenomena such as the beating of wings of a butterfly in a tot on the planet can determine , for a series of chain reactions, huge events such as a hurricane in an area located to the antipodes. 'The science of chaos' is a system of laws rather complex and poorly understood by those who are not a physical and / or a mathematician and, although it requires a small change in initial conditions could trigger an unpredictable within a process in motion, is based on trying to understand and give respect to everything that may appear as random but random is not at all (and see some 'chaos is curiously like an anagram of the event). So, as I understand, the concepts developed here by Kidsok Nuit are located on a different level than cageani on random (but I must admit that in mathematics and physics have always been a dunce patented and, therefore, could also take whistles for flasks). Let's say we're somewhere in between, but the dividing lines are very thin, between a conception of music and a strictly mathematical concept totally anarcoide. The six tracks on the CD should be regarded accordingly as fractals following roads unpredictable but already marked the end of their premises. From an aesthetic point of view it is outside un'elettronica obsessive and oppressive, even at times when exude those elements that seem to be more playful (Chaotic Humana), but still with a strong geometric (imperfect) that at variance with visionary certain current and / or neo-surrealist contemporary. We are therefore faced with a rather complex, unpredictable and projected forward, and not such easy to understand the mechanisms that have generated, on which it is difficult to express an opinion, apart from the finding that this is a puzzle well in training to keep our brains. And maybe it was to conceive a 'third' Kidsok Nuit, yet different from those that we Borrelli noted in a review of last year.
Frans de Waard,
Vital Weekly:
On his website we can read some interesting stuff about Giuseppe Mileti, the guy behind Kidsok Nuit. He works with soft- and hardware, does installations, studied in Zurich and New York, does live sets, DJ sets, improvisations. Am I listening to the right release then? The six pieces on his 'Lo Spazio Delle Fasi' couldn't interest me one bit, to be frank. Circuit bending sounds, noisy manipulations, distortions, CD skipping all recorded rather weak. The feedback sounds like being picked up with the cheapest microphone, but doesn't become anything even remotely lo-fi. Scrapings, scratchings, hiss and noise. It's hard to balance this music with all the supposed activity that he mentions on his website. I don't see why this should be released.
